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UID:2602@contactdance.co.uk
DTSTART;TZID=Europe/London:20230624T093000
DTEND;TZID=Europe/London:20230625T170000
DTSTAMP:20230501T091640Z
URL:https://contactdance.co.uk/events/nita-little-two-day-workshop-co-crea
 tive-practices-in-contact-improvisation-worlding-two-as-one/
SUMMARY:Nita Little Two Day Workshop : Co-Creative Practices in Contact Imp
 rovisation: Worlding Two as One -  - 24 Jun 23 09:30
DESCRIPTION:\n\nWe present a rare opportunity for Contact Improvisation pra
 ctitioners to deepen their dance by one of the early pioneers of CI\, Nita
  Little.\nThe workshop is aimed for those with a baseline of CI\, feel com
 fortable sharing weight and have experience listening to bodies in motion.
 \n\nDate : 24-25 June 2023 (2 day workshop)\nTime: 9.30 Arrive\, 10am star
 t\, finish for 4.30pm\nLocation: St Michaels Memorial Parish Hall Park Lan
 e\, Bristol BS2 8BE\nTicket Cost:\n£80 early bird\n£100 (if booking is m
 ade after the 15th May)\n• A discounted ticket is available for anyone w
 ho is committed to their practice but would find it unaffordable. Please e
 nquire below for more details.\nPayment:\nPaypal: bristolcontactresearch@g
 mail.com\n(please select friends or family)\nFor bank transfer/or any othe
 r queries please email: bristolcontactresearch@gmail.com\nPlease use Ref: 
 "Nita Little (your initials)" on payments\n\nClass Description\nCo-Creativ
 e Practices in Contact Improvisation: Worlding Two as One\nBeyond the Begi
 nning level – dancers must have a Contact Improv practice.\nContact Impr
 ovisation was born through the idea that everybody knows how to move withi
 n a sea of gravity. The body will show up\, reflexively\, to meet its envi
 ronment. Indeed\, at an early stage\, Steve Paxton refused to actually tea
 ch the dance that by then already had a name. The notion that contact is s
 omething we do together\, rather than at each other\, or on each other\, c
 ame about through the repetition of the agreement to care\, for oneself\, 
 for one’s partner\, and for the rest of whatever was nearby… the child
 ren rolling under our feet. The emphasis on good will was necessary to kee
 p everyone safe under conditions that were highly uncertain. This develope
 d stratospheric levels of awareness and capacities of attention that most 
 people don’t experience. Eventually we became so capable that we could l
 et go of generating the dance and just let the dance itself take over beca
 use movement arose in milli-seconds of consciously noted experience organi
 zed by a far larger form. Readiness to move was there\, in those milliseco
 nds. Where one’s body began and another’s ended was insignificant to t
 he passage of information within the immediacy of dancemaking. Fifty-one y
 ears later\, this has developed into insight into co-creative practices an
 d levels of relations that speak to the making of dance that is no longer 
 a negotiation. How do we move beyond merely dealing with one another? What
  else is there? This workshop will be an immersion in practices that suppo
 rt a physicality ready to engage co-creatively in dances that release prac
 ticed pathways\, are built on the physicality of attention\, rely on movem
 ent principles\, have organizational integrity\, and embody care.\n\nNita 
 Little is an activist for relational intelligence through improvisational 
 dance practices that began with the emergence and development of Contact I
 mprovisation in 1972. This path was provoked by Steve Paxton. The only rem
 aining Contact Improvisation (CI) teacher who was a member of the initial 
 core of CI pioneers\, Nita has remained on the cutting edge of this practi
 ce\, training generations of Contact Improvisation practitioners and teach
 ers worldwide. A performer\, choreographer\, and dance theorist\, Little r
 eceived her PhD in Performance Studies in 2014. She returns to internation
 al touring invited by dance companies\, festivals\, conferences and univer
 sities to teach\, lecture\, and compose emergent events. Her writing inves
 tigates ecological actions of attention and the creative potentials presen
 t in entangled relations. She directs an international network of dance re
 search ensembles - the Institute for the Study of Somatic Communication (t
 he ISSC).
ATTACH;FMTTYPE=image/jpeg:https://contactdance.co.uk/wp-content/uploads/20
 23/03/worlding.jpg
CATEGORIES:CI Workshop
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