This course will be an embodied exploration of cycles and scales of sensing, observing, and consequential action in physical practice. Working from the cellular to the global, we will examine how we sense each other, take action and make meaning while we move. We will give particular attention to the tension between the concepts of presence and performance as lenses through which to observe/view/feel/listen-to/activate the body.
We will “spend” time shifting our awareness to a more cyclical time state, unencumbered by desires and goals and we will “take” time observing ourselves and each other, thoughtfully examining the consequences of our actions. We will examine the physical actualities of touch, manipulation, counterbalance, force, resistance, and surrender, both as physical states and as meaningful expressions of interpersonal and intercultural relations. Bring curiosity, a desire to dance and a willingness to be seen.
To book or for more information about accommodation and travel contact: email@example.com or 07816603937
This intensive will be followed by a one day Contact Improvisation workshop on Sunday 25th November. For more info and booking, contactdance.co.uk/events/jess-curtis-25-12/
Jess Curtis has created a body of work ranging from the underground extremes of Mission District Warehouses with Contraband and CORE (1985-1998) to the formal refinement and exuberance of European State Theaters and Circus Tents with Compagnie Cahin-Caha and Jess Curtis/Gravity (1998-present). Often working within a paradigm of collaboration and co-authorship, he has also produced thoughtful and engaging work with a number of innovative artists including Maria Francesca Scaroni, Jörg Müller, Claire Cunningham and the FabrikCompanie in Potsdam, Germany. He has been commissioned to create works for companies such as Artblau in Germany, ContactArt in Milan, Italy, Blue Eyed Soul Dance Company in England, and Croi Glan Integrated Dance in Ireland. Recently awarded the prestigious 2011 Alpert Award in the Arts for choreography, Curtis and Gravity have received a total of six Isadora Duncan Dance awards and a Fringe First Award at the Edinburgh Fringe Festival for fallen, which went on to tour to over 40 cities in 9 countries. Curtis teaches Dance, Contact Improvisation, and Interdisciplinary Performance throughout the US and Europe and has been a visiting professor at UC Berkeley and the University of the Arts in Berlin. He holds an MFA in Choreography from UC Davis and is currently pursuing a PhD in Performance Studies there.